But listen you must, to the vivid characterizations, hilarious contradictions, and covert social observations.
This stalwart cast carried off the four act play with gentle and believable London accents that never distracted, and reeled off sparring dialogues with nary a flubbed line. Slowing the tempo to savor this language would have pushed the play to four hours — a bargain wisely not taken.
Greg Waldyn was brilliantly cast as Sir Chiltern, the flawed and flustered politician with something to hide. Katie McClatchey played a convincing Lady Chevely with a palette of colors — never muted, and sometimes just a tad dark for the upholstery.
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| Jamie Ewing as Lord Goring (left) and Tom Viskocil as the Earl of Caversham, neither of whom are the ideal husband. |
Among many strong performances, Katrina Plonczynski stole a scene as Lady Markby with a delightfully elastic, bombastic delivery. Jamie Ewing brought depth to the two-dimensional Mr. Goring, "the most idle man in London," with his conceited Victorian mansplaining.
You won't notice a little static noise from the P.A. during these scenes of parties, ex partes, and prattles as the Lost Art of Conversation is gloriously revived.
But George Bernard Shaw was right in saying Wilde is "our most thorough playwright; he plays with everything," including props, visual situations and stage movement. Director Rachel Stevens handled this word-heavy script nicely, with just the right amount of action and set design to complement the brilliant writing: exactly what's necessary, and no more.
Set against a plot of political games(wo)manship, the play examines the politics of relationships and the unavoidable hypocrisy of defining ideals in a fallible human society.
An Ideal Husband continues through March 1st at the Elgin Art Showcase, 164 Division Street in downtown Elgin, with shows at 8pm Thursdays thru Saturdays, and 2pm Sundays. For tickets and further information, go to goodlycreatures.com.
