Being honest is a virtue. But the trouble with being totally honest is that in the process, we expose all of our vices, weaknesses and inconsistencies. That's just one paradox you could discover in Sunday On the Rocks, a 1994 play by Theresa Rebeck which opened Friday at the Elgin Art Showcase.
Women are "behaving badly" on a Sunday morning in this story which develops characters as witty, funny and charmingly flawed as we all imagine ourselves to be. With plenty of truth serum flowing, the play addresses morality without becoming a morality play.
The all-female cast delivers lines like "I don't want to see any men today," yet all the Freudian projections, biological imperatives and emotional ambivalence are more than just feminist subject matter. They show how the female experience is an authentic part of all human experience.
The ensemble made it look easy to differentiate these four complex but highly relatable single women. A shot of real whisky might have calmed the nerves that hurried the opening scene, but as the two-hour story unfolded, the stage chemistry was as pure as single malt scotch.
Great direction by Tara Morrison kept the actors playing fluidly to a 360 degree audience, which is a perfect fit for Janus Theatre's intimate staging style. An excellent set, costumes and props were maneuvered with skill and subtlety by the talented cast.
Day drinking isn't really the issue in this piece. It's just a device that produces carefully crafted lines like "She doesn't even see the dirt" (Jessica) and "I think we're capable of anything" (Gayle). Near the end, Elly roars at holier-than-thou Jessica, "You are just as bad as us!"
Seeking equality among people is also a virtue. But isn't the trouble with seeking equality that it drives all of us toward the lowest standard? See what you think when Sunday On the Rocks returns to the stage now through November 4th. For tickets and a complete schedule, go to www.janusplays.com.
No comments:
Post a Comment